![The Lost Oracle (Transmission 2016 Theme) [Extended Mix] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02371fc77cbd4815cfb4f088da)
The Lost Oracle (Transmission 2016 Theme) [Extended Mix]
30s preview
- Key
- 8A · A minor
- BPM
- 132
- Open Key
- 1m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 7:45
- Released
- 2017
- Album
- Global DJ Broadcast - Top 20 January 2017
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 9.7 dB
- ISRC
- NLD681602472
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Lost Oracle (Transmission 2016 Theme)original8A · 132
Against the original (8A at 132 BPM), this version holds the same tempo in the same key.
The Lost Oracle (Transmission 2016 Theme) [Extended Mix] runs 132 BPM in A minor (8A), a peak-time tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Lost Oracle (Transmission 2016 Theme) [Extended Mix] in?
The Lost Oracle (Transmission 2016 Theme) [Extended Mix] by Markus Schulz is in A minor, or 8A on the Camelot wheel.
What BPM is The Lost Oracle (Transmission 2016 Theme) [Extended Mix]?
The Lost Oracle (Transmission 2016 Theme) [Extended Mix] runs at 132 BPM, a peak-time tempo track.
What mixes well with The Lost Oracle (Transmission 2016 Theme) [Extended Mix]?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is The Lost Oracle (Transmission 2016 Theme) [Extended Mix] good for peak time?
With energy 86 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Tonight [Mix Cut] by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e029c97e38349ebafeed8d5aff3){kind=small}
How to mix it
In 8A at 132 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Nothing But Chemistry Here [Mix Cut] by Solarstone cover art](https://i.scdn.co/image/ab67616d00001e02f38a6821eebea9c8f40aa7ec){kind=small}
More trance
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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