You Are (Mix Cut)
30s preview
- BPM
- 132
- Open Key
- 5d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 4:38
- Released
- 2025
- Album
- ASOT 1226 - A State of Trance Episode 1226 [Including A State Of Trance, Ibiza 2017 (Mixed by Armin van Buuren)]
- Genre
- Trance
- Loudness
- -6.6 dB
- Dynamics
- 9.9 dB
- ISRC
- NLF711707942
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Are - Exis Remixremix12B · 138
- You Are (Mix Cut)original12A · 132
You Are (Mix Cut): peak-time tempo trance, E major (12B), 132 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 90% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is You Are (Mix Cut) in?
You Are (Mix Cut) by Armin van Buuren is in E major, or 12B on the Camelot wheel.
What BPM is You Are (Mix Cut)?
You Are (Mix Cut) runs at 132 BPM, a peak-time tempo track.
What mixes well with You Are (Mix Cut)?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is You Are (Mix Cut) good for peak time?
With energy 85 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
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How to mix it
In 12B at 132 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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