Dark on Fire - Jeremy Rowlett Remix
- BPM
- 133
- Open Key
- 3m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 7:51
- Released
- 2013
- Album
- Dark on Fire, Pt. 1
- Genre
- Trance
- Loudness
- -6.5 dB
- ISRC
- GBCDK1302081
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dark on Fire - Original Mixoriginal11B · 135
- Dark on Fire - Kintar Remixremix8B · 130
- Dark on Fire - Relaunch Remixremix10B · 130
- Dark on Fire - Don Ruijgrok Remixremix4B · 125
- Dark on Fire - Insert Name Remixremix12A · 128
- Dark on Fire - Manifestor Remixremix1B · 135
Against the original (11B at 135 BPM), this version runs 2 BPM slower and moves the key from 11B to 10A.
At 133 BPM in B minor (10A), Dark on Fire - Jeremy Rowlett Remix is a peak-time tempo trance production. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of John 00 Fleming's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dark on Fire - Jeremy Rowlett Remix in?
Dark on Fire - Jeremy Rowlett Remix by John 00 Fleming is in B minor, or 10A on the Camelot wheel.
What BPM is Dark on Fire - Jeremy Rowlett Remix?
Dark on Fire - Jeremy Rowlett Remix runs at 133 BPM, a peak-time tempo track.
What mixes well with Dark on Fire - Jeremy Rowlett Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Dark on Fire - Jeremy Rowlett Remix good for peak time?
With energy 86 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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