Dark Heart Waiting (Jochen Miller remix)
30s preview
- Key
- 4A · F minor
- BPM
- 133
- Open Key
- 9m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 3:57
- Released
- 2011
- Genre
- Trance
- Loudness
- -8.3 dB
- Dynamics
- 11.4 dB
- ISRC
- NLF711000540
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 133 BPM in F minor (4A), Dark Heart Waiting (Jochen Miller remix) is a peak-time tempo trance production. The feel is dark and driving. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 94% of Markus Schulz's catalogue
- Tempo:
- faster than 81% of Markus Schulz's catalogue
- Low end:
- more bass-heavy than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Dark Heart Waiting (Jochen Miller remix) in?
Dark Heart Waiting (Jochen Miller remix) by Markus Schulz is in F minor, or 4A on the Camelot wheel.
What BPM is Dark Heart Waiting (Jochen Miller remix)?
Dark Heart Waiting (Jochen Miller remix) runs at 133 BPM, a peak-time tempo track.
What mixes well with Dark Heart Waiting (Jochen Miller remix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Dark Heart Waiting (Jochen Miller remix) good for peak time?
With energy 85 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 133 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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