don’t leave (finale)
30s preview
- BPM
- 132
- Open Key
- 10d
- Energy
- 77/100
- Pop
- 0/100
- Length
- 5:30
- Released
- 2024
- Genre
- Trance
- Loudness
- -5.5 dB
- Dynamics
- 9.0 dB
- ISRC
- QZTGW2405978
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo trance cut, don’t leave (finale) sits in E♭ major (5B) at 132 BPM. Tonally it lands dark and driving. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Gareth Emery's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 93% of Gareth Emery's catalogue
- Groove:
- less groove-driven than 91% of Gareth Emery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is don’t leave (finale) in?
don’t leave (finale) by Gareth Emery is in E♭ major, or 5B on the Camelot wheel.
What BPM is don’t leave (finale)?
don’t leave (finale) runs at 132 BPM, a peak-time tempo track.
What mixes well with don’t leave (finale)?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is don’t leave (finale) good for peak time?
With energy 77 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 132 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Gareth Emery
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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