Chasing Highs
30s preview
- BPM
- 132
- Open Key
- 7d
- Energy
- 77/100
- Pop
- 28/100
- Length
- 3:37
- Released
- 2024
- Album
- Tranquility Base Vol. 2
- Genre
- Progressive Trance
- Loudness
- -9.9 dB
- Dynamics
- 11.4 dB
- ISRC
- GBEWA2406511
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Chasing Highs - Extended Mixversion1A · 132
Chasing Highs runs 132 BPM in F♯ major (2B), a peak-time tempo progressive trance record. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Darker than 90% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 86% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Chasing Highs in?
Chasing Highs by Above & Beyond is in F♯ major, or 2B on the Camelot wheel.
What BPM is Chasing Highs?
Chasing Highs runs at 132 BPM, a peak-time tempo track.
What mixes well with Chasing Highs?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Chasing Highs good for peak time?
With energy 77 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![343 [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
![Sweetest Heart [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
How to mix it
In 2B at 132 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Encore [The Anthem] - Original Mix by Giuseppe Ottaviani cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/8aa318d3491e6115a9cd.webp){kind=small}
More progressive trance
![So Much In Love (ASOT 1132) [Tune Of The Week] - Armin van Buuren Remix by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e0242c7cd4da3e6e67d0894be57){kind=small}
More from Above & Beyond
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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