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You Got to Go - Extended Album Mix by Above & Beyond cover art

You Got to Go - Extended Album Mix

Above & Beyond

30s preview

Key
6B · B♭ major
BPM
132
Open Key
11d
Energy
76/100
Pop
0/100
Length
7:32
Released
2011
Album
You Got To Go (Package 2)
Genre
Progressive Trance
Loudness
-7.4 dB
Dynamics
9.7 dB
ISRC
GBEWA1100676

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (5A at 132 BPM), this version holds the same tempo and moves the key from 5A to 6B.

You Got to Go - Extended Album Mix is a peak-time tempo progressive trance track in B♭ major (6B) at 132 BPM. It reads as punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more bass-heavy than 93% of Above & Beyond's catalogue
Brightness:
brighter than 88% of Above & Beyond's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood40Balanced
Groove62
Acoustic1
Instrumental64
Live4
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is You Got to Go - Extended Album Mix in?

You Got to Go - Extended Album Mix by Above & Beyond is in B♭ major, or 6B on the Camelot wheel.

What BPM is You Got to Go - Extended Album Mix?

You Got to Go - Extended Album Mix runs at 132 BPM, a peak-time tempo track.

What mixes well with You Got to Go - Extended Album Mix?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is You Got to Go - Extended Album Mix good for peak time?

With energy 76 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

6B → 5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 6B

7BSimple Mix Upper▲
5BSimple Mix Downer▼
6ATonal Shift·
7ADiagonal Mix Upper▲
5ADiagonal Mix Downer▼
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 132 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More progressive trance

#TrackKey·BPM

More from Above & Beyond

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM
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