![You Got To Go [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp)
You Got To Go [feat. Zoë Johnston]
30s preview
- BPM
- 132
- Open Key
- 10d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 5:35
- Released
- 2011
- Genre
- Progressive Trance
- Loudness
- -6.7 dB
- Dynamics
- 10.3 dB
- ISRC
- GBEWA1100273
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got To Gooriginal5A · 132
- You Got To Go - Seven Lions Remixremix5A · 140
- You Got To Go - Fehrplay Extended Mixversion5A · 124
- You Got To Go - Fehrplay Remixremix5A · 124
- You Got To Go - Kyau & Albert Remixremix5A · 132
- You Got to Go - Above & Beyond vs. Kyau & Albert Radio Editversion5A · 132
A peak-time tempo progressive trance cut, You Got To Go [feat. Zoë Johnston] sits in E♭ major (5B) at 132 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 79% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is You Got To Go [feat. Zoë Johnston] in?
You Got To Go [feat. Zoë Johnston] by Above & Beyond is in E♭ major, or 5B on the Camelot wheel.
What BPM is You Got To Go [feat. Zoë Johnston]?
You Got To Go [feat. Zoë Johnston] runs at 132 BPM, a peak-time tempo track.
What mixes well with You Got To Go [feat. Zoë Johnston]?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is You Got To Go [feat. Zoë Johnston] good for peak time?
With energy 80 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 132 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![343 [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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