The Other Shore - Husman Remix
30s preview
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 70/100
- Pop
- 7/100
- Length
- 3:04
- Released
- 2015
- Album
- The Other Shore (Remixes)
- Genre
- Trance
- Loudness
- -8.0 dB
- Dynamics
- 12.9 dB
- ISRC
- NLF711502794
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Other Shoreoriginal5B · 138
- The Other Shore - Fady x Mina Remixremix5B · 140
- The Other Shore - Solarstone Pure Mixoriginal5A · 136
- The Other Shore - Aruna vs Steve Kaetzel Remixremix5B · 132
Against the original (5B at 138 BPM), this version runs 10 BPM slower and moves the key from 5B to 5A.
The Other Shore - Husman Remix runs 128 BPM in C minor (5A), a peak-time tempo trance record. The feel is dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. Calmer than 93% of Aly & Fila's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 91% of Aly & Fila's catalogue
- Low end:
- more treble-tilted than 79% of Aly & Fila's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Other Shore - Husman Remix in?
The Other Shore - Husman Remix by Aly & Fila is in C minor, or 5A on the Camelot wheel.
What BPM is The Other Shore - Husman Remix?
The Other Shore - Husman Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with The Other Shore - Husman Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is The Other Shore - Husman Remix good for peak time?
With energy 70 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Aly & Fila
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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