It's All About The Melody (FSOE900)
30s preview
- Key
- 4A · F minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 9m
- Energy
- 99/100
- Pop
- 27/100
- Length
- 5:29
- Released
- 2025
- Album
- FSOE 900 - Future Sound Of Egypt Episode 900
- Genre
- Trance
- Loudness
- -4.3 dB
- Dynamics
- 12.3 dB
- ISRC
- UKRMQ2500253
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's All About The Melodyoriginal5A · 140
- It's All About The Melody - Extended Mixversion4A · 140
- It's All About The Melody - gardenstate Remixremix4B · 124
- It's All About The Melodyoriginal4A · 140
- It's All About The Melody - gardenstate Extended Remixremix4A · 124
- It's All About The Melody (FSOE801) - gardenstate Remixremix4A · 128
It's All About The Melody (FSOE900) is a driving up-tempo trance track in F minor (4A) at 140 BPM. Tonally it lands dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 96% of Aly & Fila's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 86% of Aly & Fila's catalogue
- Low end:
- more treble-tilted than 80% of Aly & Fila's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is It's All About The Melody (FSOE900) in?
It's All About The Melody (FSOE900) by Aly & Fila is in F minor, or 4A on the Camelot wheel.
What BPM is It's All About The Melody (FSOE900)?
It's All About The Melody (FSOE900) runs at 140 BPM, a driving up-tempo track.
What mixes well with It's All About The Melody (FSOE900)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is It's All About The Melody (FSOE900) good for peak time?
With energy 99 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 140 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Aly & Fila
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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