It's All About The Melody (FSOE759)
- BPM
- 140
- Half-time
- 70
- Open Key
- 9d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 1:47
- Released
- 2022
- Album
- FSOE 759 - Future Sound Of Egypt Episode 759
- Genre
- Trance
- Loudness
- -4.3 dB
- ISRC
- UKRMQ2200783
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's All About The Melody (FSOE900)original4A · 140
- It's All About The Melodyoriginal5A · 140
- It's All About The Melody - Extended Mixversion4A · 140
- It's All About The Melody - gardenstate Remixremix4B · 124
- It's All About The Melodyoriginal4A · 140
- It's All About The Melody - gardenstate Extended Remixremix4A · 124
A driving up-tempo trance cut, It's All About The Melody (FSOE759) sits in A♭ major (4B) at 140 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. More underground than 99% of Aly & Fila's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 97% of Aly & Fila's catalogue
- Brightness:
- brighter than 85% of Aly & Fila's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is It's All About The Melody (FSOE759) in?
It's All About The Melody (FSOE759) by Aly & Fila is in A♭ major, or 4B on the Camelot wheel.
What BPM is It's All About The Melody (FSOE759)?
It's All About The Melody (FSOE759) runs at 140 BPM, a driving up-tempo track.
What mixes well with It's All About The Melody (FSOE759)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is It's All About The Melody (FSOE759) good for peak time?
With energy 100 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 140 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Aly & Fila
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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