8th Day
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 100/100
- Pop
- 1/100
- Length
- 8:18
- Released
- 2007
- Genre
- Trance
- Loudness
- -8.8 dB
- ISRC
- GBCDK0761012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo trance cut, 8th Day sits in B minor (10A) at 140 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. Hotter than 99% of John 00 Fleming's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 88% of John 00 Fleming's catalogue
- Groove:
- less groove-driven than 84% of John 00 Fleming's catalogue
- Brightness:
- darker than 75% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 8th Day in?
8th Day by John 00 Fleming is in B minor, or 10A on the Camelot wheel.
What BPM is 8th Day?
8th Day runs at 140 BPM, a driving up-tempo track.
What mixes well with 8th Day?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is 8th Day good for peak time?
With energy 100 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
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How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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