![Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp)
Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake
- BPM
- 132
- Open Key
- 9d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 5:20
- Released
- 2014
- Album
- A State Of Trance 650 - New Horizons (Mixed by Kyau & Albert)
- Genre
- Trance
- Loudness
- -7.3 dB
- ISRC
- NLF711400196
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Jump The Next Train - Kyau & Albert Remixremix4B · 138
Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake runs 132 BPM in A♭ major (4B), a peak-time tempo trance record. The feel is punchy, neutral in mood. It is vocal-led. A 2014 production that still circulates in sets. More underground than 99% of Kyau & Albert's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 76% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake in?
Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake by Kyau & Albert is in A♭ major, or 4B on the Camelot wheel.
What BPM is Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake?
Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake runs at 132 BPM, a peak-time tempo track.
What mixes well with Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake good for peak time?
With energy 72 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![Sweetest Heart [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
How to mix it
In 4B at 132 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Event Horizon [CC484] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0290404276e872a3623c9cda37){kind=small}
More trance
![Satellite [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Event Horizon [CC483] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026b5520771e6cba9693614dde){kind=small}
Every insight on this page, for your own library.
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