FILTHY ACID by Paul van Dyk cover art

FILTHY ACID

Paul van Dyk

Key
11A · F♯ minor
BPM
132
Open Key
4m
Energy
72/100
Pop
21/100
Length
6:07
Released
2023
Genre
Trance
Loudness
-8.9 dB
ISRC
DEQ692300204

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo trance cut, FILTHY ACID sits in F♯ minor (11A) at 132 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Darker than 99% of Paul van Dyk's catalogue. For programming, treat it as a floor-filler.

Groove:
groovier than 96% of Paul van Dyk's catalogue
Reach:
better known than 86% of Paul van Dyk's catalogue
Energy:
calmer than 79% of Paul van Dyk's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood4Dark
Groove79
Acoustic15
Instrumental93
Live13
Speech9

Frequency spectrum

amplitude · bass → treble

FAQ

What key is FILTHY ACID in?

FILTHY ACID by Paul van Dyk is in F♯ minor, or 11A on the Camelot wheel.

What BPM is FILTHY ACID?

FILTHY ACID runs at 132 BPM, a peak-time tempo track.

What mixes well with FILTHY ACID?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is FILTHY ACID good for peak time?

With energy 72 out of 100 at 132 BPM, it works best as a floor-filler.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 132 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More trance

More from Paul van Dyk

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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