Black Finished Chrome
- Key
- 4A · F minor
- BPM
- 132
- Open Key
- 9m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 5:36
- Released
- 2006
- Album
- AnthologyOne
- Genre
- Trance
- Loudness
- -12.2 dB
- ISRC
- GBHCD0604901
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Black Finished Chrome - Original Mixoriginal4A · 132
Black Finished Chrome: peak-time tempo trance, F minor (4A), 132 BPM. The feel is punchy, neutral in mood. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. More underground than 99% of Solarstone's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 95% of Solarstone's catalogue
- Energy:
- calmer than 85% of Solarstone's catalogue
- Brightness:
- brighter than 81% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Black Finished Chrome in?
Black Finished Chrome by Solarstone is in F minor, or 4A on the Camelot wheel.
What BPM is Black Finished Chrome?
Black Finished Chrome runs at 132 BPM, a peak-time tempo track.
What mixes well with Black Finished Chrome?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Black Finished Chrome good for peak time?
With energy 70 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Satellite [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
More trance
![Event Horizon [CC484] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0290404276e872a3623c9cda37){kind=small}
More from Solarstone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Event Horizon [CC483] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026b5520771e6cba9693614dde){kind=small}
Every insight on this page, for your own library.
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