We.Are - Markus Schulz In Search of Sunrise Extended Mix
30s preview
- BPM
- 132
- Open Key
- 7d
- Energy
- 73/100
- Pop
- 6/100
- Length
- 5:56
- Released
- 2024
- Album
- We.Are (Markus Schulz In Search of Sunrise Remix)
- Genre
- Trance
- Loudness
- -7.5 dB
- Dynamics
- 8.2 dB
- ISRC
- NLC732400368
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We.Are - Markus Schulz In Search of Sunrise Remixremix1B · 132
We.Are - Markus Schulz In Search of Sunrise Extended Mix runs 132 BPM in F♯ major (2B), a peak-time tempo trance record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 81% of Markus Schulz's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 77% of Markus Schulz's catalogue
- Reach:
- better known than 76% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is We.Are - Markus Schulz In Search of Sunrise Extended Mix in?
We.Are - Markus Schulz In Search of Sunrise Extended Mix by Markus Schulz is in F♯ major, or 2B on the Camelot wheel.
What BPM is We.Are - Markus Schulz In Search of Sunrise Extended Mix?
We.Are - Markus Schulz In Search of Sunrise Extended Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with We.Are - Markus Schulz In Search of Sunrise Extended Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is We.Are - Markus Schulz In Search of Sunrise Extended Mix good for peak time?
With energy 73 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
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How to mix it
In 2B at 132 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
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