Spilled Cranberries
30s preview
- BPM
- 132
- Open Key
- 5d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 4:20
- Released
- 2007
- Genre
- Trance
- Loudness
- -11.5 dB
- Dynamics
- 14.9 dB
- ISRC
- NLF710701411
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Spilled Cranberries runs 132 BPM in E major (12B), a peak-time tempo trance record. Tonally it lands dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2007 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 96% of Markus Schulz's catalogue
- Low end:
- more bass-heavy than 88% of Markus Schulz's catalogue
- Energy:
- calmer than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Spilled Cranberries in?
Spilled Cranberries by Markus Schulz is in E major, or 12B on the Camelot wheel.
What BPM is Spilled Cranberries?
Spilled Cranberries runs at 132 BPM, a peak-time tempo track.
What mixes well with Spilled Cranberries?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Spilled Cranberries good for peak time?
With energy 73 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
![No Strings Attached [Mix Cut] by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e029c97e38349ebafeed8d5aff3){kind=small}
How to mix it
In 12B at 132 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Another Time [Mix Cut] by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
![Sweetest Heart [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More trance
![Event Horizon [CC484] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0290404276e872a3623c9cda37){kind=small}
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Event Horizon [CC483] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026b5520771e6cba9693614dde){kind=small}
![So Much In Love (ASOT 1132) [Tune Of The Week] - Armin van Buuren Remix by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e0242c7cd4da3e6e67d0894be57){kind=small}
![Satellite [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.