Choice of the Angels - Sean Tyas Remix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 8d
- Energy
- 96/100
- Pop
- 8/100
- Length
- 3:22
- Released
- 2019
- Album
- Choice of the Angels (Sean Tyas Remix)
- Genre
- Trance
- Loudness
- -4.6 dB
- Dynamics
- 14.6 dB
- ISRC
- NLD681902110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Choice of the Angelsoriginal3A · 138
- Choice of the Angels (Mix Cut)original3A · 138
Against the original (3A at 138 BPM), this version runs 2 BPM faster and moves the key from 3A to 3B.
Choice of the Angels - Sean Tyas Remix is a driving up-tempo trance track in D♭ major (3B) at 140 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). Less groove-driven than 91% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 87% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Choice of the Angels - Sean Tyas Remix in?
Choice of the Angels - Sean Tyas Remix by John O'Callaghan is in D♭ major, or 3B on the Camelot wheel.
What BPM is Choice of the Angels - Sean Tyas Remix?
Choice of the Angels - Sean Tyas Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Choice of the Angels - Sean Tyas Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Choice of the Angels - Sean Tyas Remix good for peak time?
With energy 96 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 140 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from John O'Callaghan
Full profile
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.