Lost In Sound - Extended Mix
30s preview
- BPM
- 138
- Open Key
- 3m
- Energy
- 99/100
- Pop
- 27/100
- Length
- 5:23
- Released
- 2025
- Album
- Lost in Sound
- Genre
- Trance
- Label
- Subculture
- Loudness
- -4.0 dB
- Dynamics
- 11.4 dB
- ISRC
- NLD682501537
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost In Soundoriginal10A · 138
Against the original (10A at 138 BPM), this version holds the same tempo in the same key.
Lost In Sound - Extended Mix is a driving up-tempo trance track in B minor (10A) at 138 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 94% of John O'Callaghan's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 84% of John O'Callaghan's catalogue
- Energy:
- hotter than 77% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Lost In Sound - Extended Mix in?
Lost In Sound - Extended Mix by John O'Callaghan is in B minor, or 10A on the Camelot wheel.
What BPM is Lost In Sound - Extended Mix?
Lost In Sound - Extended Mix runs at 138 BPM, a driving up-tempo track.
What mixes well with Lost In Sound - Extended Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Lost In Sound - Extended Mix good for peak time?
With energy 99 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 138 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from John O'Callaghan
Full profile
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.