Together Again - Club Mix Edit
- BPM
- 138
- Open Key
- 9d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:34
- Released
- 2016
- Album
- Together Again
- Genre
- Trance
- Loudness
- -5.3 dB
- ISRC
- DEQ691600026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Together Againoriginal4A · 130
- Together Again - Radio Editversion4A · 130
Against the original (4A at 130 BPM), this version runs 8 BPM faster and moves the key from 4A to 4B.
A driving up-tempo trance cut, Together Again - Club Mix Edit sits in A♭ major (4B) at 138 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. A 2016 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 96% of Paul van Dyk's catalogue
- Groove:
- less groove-driven than 77% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Together Again - Club Mix Edit in?
Together Again - Club Mix Edit by Paul van Dyk is in A♭ major, or 4B on the Camelot wheel.
What BPM is Together Again - Club Mix Edit?
Together Again - Club Mix Edit runs at 138 BPM, a driving up-tempo track.
What mixes well with Together Again - Club Mix Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Together Again - Club Mix Edit good for peak time?
With energy 99 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 138 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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