Under Your Spell
- BPM
- 130
- Open Key
- 7m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 5:24
- Released
- 2009
- Album
- Sign of The Times
- Genre
- Trance
- Loudness
- -10.4 dB
- ISRC
- GBDLM0810073
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Under Your Spelloriginal2A · 130
- Under Your Spell (feat. Aruna)original2A · 130
- Under Your Spell (feat. Aruna) - Duderstadt Dubversion1B · 132
- Under Your Spell (feat. Aruna) - Duderstadt Radio Editversion2B · 132
- Under Your Spell (feat. Aruna) - Duderstadt Remixremix1B · 132
- Under Your Spell (feat. Aruna) - Myon & Shane 54 Monster Mixoriginal4B · 134
Under Your Spell is a peak-time tempo trance track in E♭ minor (2A) at 130 BPM. The feel is dark and driving. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Cosmic Gate's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 80% of Cosmic Gate's catalogue
- Energy:
- calmer than 76% of Cosmic Gate's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Under Your Spell in?
Under Your Spell by Cosmic Gate is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Under Your Spell?
Under Your Spell runs at 130 BPM, a peak-time tempo track.
What mixes well with Under Your Spell?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Under Your Spell good for peak time?
With energy 67 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 130 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Every insight on this page, for your own library.
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