Sunny Days (feat. Josh Cumbee) - Ryan Riback Remix by Armin van Buuren cover art

Sunny Days (feat. Josh Cumbee) - Ryan Riback Remix

Armin van Buuren

30s preview

Key
9B · G major
BPM
109
Open Key
2d
Energy
62/100
Pop
0/100
Length
3:42
Released
2018
Album
Sunny Days (feat. Josh Cumbee) [Ryan Riback Remix]
Genre
House
Loudness
-9.5 dB
Dynamics
15.7 dB
ISRC
NLF711812565

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1A at 130 BPM), this version runs 21 BPM slower and moves the key from 1A to 9B.

Sunny Days (feat. Josh Cumbee) - Ryan Riback Remix is a mid-tempo house track in G major (9B) at 109 BPM. Tonally it lands dark and driving. The master keeps unusual dynamic range for club music (crest 16 dB). A 2018 production that still circulates in sets. More underground than 99% of Armin van Buuren's catalogue. For programming, treat it as a mid-set roller.

Tempo:
slower than 95% of Armin van Buuren's catalogue
Energy:
calmer than 91% of Armin van Buuren's catalogue
Low end:
more treble-tilted than 79% of Armin van Buuren's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy62
Mood13Dark
Groove62
Acoustic2
Instrumental28
Live9
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Sunny Days (feat. Josh Cumbee) - Ryan Riback Remix in?

Sunny Days (feat. Josh Cumbee) - Ryan Riback Remix by Armin van Buuren is in G major, or 9B on the Camelot wheel.

What BPM is Sunny Days (feat. Josh Cumbee) - Ryan Riback Remix?

Sunny Days (feat. Josh Cumbee) - Ryan Riback Remix runs at 109 BPM, a mid-tempo track.

What mixes well with Sunny Days (feat. Josh Cumbee) - Ryan Riback Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Sunny Days (feat. Josh Cumbee) - Ryan Riback Remix good for peak time?

With energy 62 out of 100 at 109 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 109 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 102-116 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 109 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Armin van Buuren

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 109 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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