Sad Robot - Rich Lane remix
30s preview
- Key
- 9B · G major
- BPM
- 110
- Open Key
- 2d
- Energy
- 61/100
- Pop
- 5/100
- Length
- 7:38
- Released
- 2016
- Album
- Sad Robot (Remixes)
- Genre
- House
- Label
- Bedrock Records
- Loudness
- -9.2 dB
- Dynamics
- 12.8 dB
- ISRC
- GBEPM1401117
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sad Robot - Musumeci remixremix9B · 124
- Sad Robotoriginal9A · 120
- Sad Robot - D-Nox & Beckers remixremix3A · 120
- Sad Robot - Alejo Gonzalez & Max Blade remixremix8A · 120
Against the original (9A at 120 BPM), this version runs 10 BPM slower and moves the key from 9A to 9B.
Sad Robot - Rich Lane remix is a mid-tempo house track in G major (9B) at 110 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Slower than 94% of Nick Warren's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 82% of Nick Warren's catalogue
- Low end:
- more treble-tilted than 80% of Nick Warren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Sad Robot - Rich Lane remix in?
Sad Robot - Rich Lane remix by Nick Warren is in G major, or 9B on the Camelot wheel.
What BPM is Sad Robot - Rich Lane remix?
Sad Robot - Rich Lane remix runs at 110 BPM, a mid-tempo track.
What mixes well with Sad Robot - Rich Lane remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Sad Robot - Rich Lane remix good for peak time?
With energy 61 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 110 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More house
More from Nick Warren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
