Sad Robot - Alejo Gonzalez & Max Blade remix
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 42/100
- Pop
- 10/100
- Length
- 7:32
- Released
- 2016
- Album
- Sad Robot (Remixes)
- Genre
- House
- Label
- Bedrock Records
- Loudness
- -13.5 dB
- Dynamics
- 16.6 dB
- ISRC
- GBEPM1401119
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sad Robot - Musumeci remixremix9B · 124
- Sad Robotoriginal9A · 120
- Sad Robot - D-Nox & Beckers remixremix3A · 120
- Sad Robot - Rich Lane remixremix9B · 110
Against the original (9A at 120 BPM), this version holds the same tempo and moves the key from 9A to 8A.
Sad Robot - Alejo Gonzalez & Max Blade remix is a club-tempo house track in A minor (8A) at 120 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2016 production that still circulates in sets. More treble-tilted than 98% of Nick Warren's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 97% of Nick Warren's catalogue
- Tempo:
- slower than 90% of Nick Warren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Sad Robot - Alejo Gonzalez & Max Blade remix in?
Sad Robot - Alejo Gonzalez & Max Blade remix by Nick Warren is in A minor, or 8A on the Camelot wheel.
What BPM is Sad Robot - Alejo Gonzalez & Max Blade remix?
Sad Robot - Alejo Gonzalez & Max Blade remix runs at 120 BPM, a club-tempo track.
What mixes well with Sad Robot - Alejo Gonzalez & Max Blade remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Sad Robot - Alejo Gonzalez & Max Blade remix good for peak time?
With energy 42 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Nick Warren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
