Tempted (Dennis Sheperd Remix) (feat. Sarah Howells)
- BPM
- 130
- Open Key
- 4m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 7:00
- Released
- 2013
- Album
- Tempted (feat. Sarah Howells)
- Genre
- Trance
- Loudness
- -6.0 dB
- ISRC
- PLB381300154
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Temptedoriginal10A · 127
- Temptedoriginal10A · 127
- Tempted - Extended Mixversion11A · 127
- Temptedoriginal10A · 127
- Tempted - Mike Saint-Jules Remixremix11B · 128
- Tempted (Dennis Sheperd Radio Edit) (feat. Sarah Howells)version11A · 130
Against the original (10A at 127 BPM), this version runs 3 BPM faster and moves the key from 10A to 11A.
Tempted (Dennis Sheperd Remix) (feat. Sarah Howells): peak-time tempo trance, F♯ minor (11A), 130 BPM. It is vocal-led. A 2013 production that still circulates in sets. Brighter than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tempted (Dennis Sheperd Remix) (feat. Sarah Howells) in?
Tempted (Dennis Sheperd Remix) (feat. Sarah Howells) by Markus Schulz is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Tempted (Dennis Sheperd Remix) (feat. Sarah Howells)?
Tempted (Dennis Sheperd Remix) (feat. Sarah Howells) runs at 130 BPM, a peak-time tempo track.
What mixes well with Tempted (Dennis Sheperd Remix) (feat. Sarah Howells)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Tempted (Dennis Sheperd Remix) (feat. Sarah Howells) good for peak time?
With energy 87 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
![All Your Colours [Mix Cut] - Andrew Rayel Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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