Fight The Darkness - Subtara Progressive Remix
- Key
- 4A · F minor
- BPM
- 130
- Open Key
- 9m
- Energy
- 80/100
- Pop
- 7/100
- Length
- 11:10
- Released
- 2011
- Album
- Passion - The Album, Volume Two
- Genre
- Trance
- Loudness
- -9.2 dB
- ISRC
- GBKQU1159953
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fight the Darkness - Original Mixoriginal4A · 135
- Fight the Darkness - Adam Antine Remixremix3B · 129
- Fight the Darkness - Ovnimoon Remixremix3B · 135
- Fight the Darkness - Subtara Progressive Remixremix4A · 130
Against the original (4A at 135 BPM), this version runs 5 BPM slower in the same key.
At 130 BPM in F minor (4A), Fight The Darkness - Subtara Progressive Remix is a peak-time tempo trance production. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Better known than 93% of John 00 Fleming's catalogue.
- Groove:
- less groove-driven than 84% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fight The Darkness - Subtara Progressive Remix in?
Fight The Darkness - Subtara Progressive Remix by John 00 Fleming is in F minor, or 4A on the Camelot wheel.
What BPM is Fight The Darkness - Subtara Progressive Remix?
Fight The Darkness - Subtara Progressive Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Fight The Darkness - Subtara Progressive Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Fight The Darkness - Subtara Progressive Remix good for peak time?
With energy 80 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Golden Gate [San Francisco] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e022801aca3651133dfe847ba7c){kind=small}
![Golden Gate [San Francisco] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e174a8d56176f52d163aa233){kind=small}
How to mix it
In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
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More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Dancing in the Red Light [Amsterdam] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02b36f86e362a0287e5d5de26a){kind=small}
Every insight on this page, for your own library.
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