
Where Do We Go From Here
- BPM
- 130
- Open Key
- 9d
- Energy
- 86/100
- Pop
- 31/100
- Length
- 4:47
- Released
- 2022
- Genre
- Trance
- Loudness
- -6.3 dB
- ISRC
- NLRD52025919
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Where Do We Go From Here is a peak-time tempo trance track in A♭ major (4B) at 130 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Less groove-driven than 86% of Gareth Emery's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 82% of Gareth Emery's catalogue
- Brightness:
- darker than 78% of Gareth Emery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Where Do We Go From Here in?
Where Do We Go From Here by Gareth Emery is in A♭ major, or 4B on the Camelot wheel.
What BPM is Where Do We Go From Here?
Where Do We Go From Here runs at 130 BPM, a peak-time tempo track.
What mixes well with Where Do We Go From Here?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Where Do We Go From Here good for peak time?
With energy 86 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Gareth Emery
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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