Someone Somewhere (feat. Natalie Major) - Tiësto Edit by Tiësto cover art

Someone Somewhere (feat. Natalie Major) - Tiësto Edit

Tiësto

Key
7B · F major
BPM
128
Open Key
12d
Energy
93/100
Pop
16/100
Length
3:19
Released
2015
Album
Someone Somewhere (feat. Natalie Major) [Tiësto Edit]
Genre
Trance
Loudness
-4.4 dB
ISRC
CYA111500083

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 128 BPM in F major (7B), Someone Somewhere (feat. Natalie Major) - Tiësto Edit is a peak-time tempo trance production. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood30Dark
Groove52
Acoustic0
Instrumental0
Live6
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Someone Somewhere (feat. Natalie Major) - Tiësto Edit in?

Someone Somewhere (feat. Natalie Major) - Tiësto Edit by Tiësto is in F major, or 7B on the Camelot wheel.

What BPM is Someone Somewhere (feat. Natalie Major) - Tiësto Edit?

Someone Somewhere (feat. Natalie Major) - Tiësto Edit runs at 128 BPM, a peak-time tempo track.

What mixes well with Someone Somewhere (feat. Natalie Major) - Tiësto Edit?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Someone Somewhere (feat. Natalie Major) - Tiësto Edit good for peak time?

With energy 93 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Tiësto

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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