Erase You - Wellenrausch's Dark Matter Remix
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 86/100
- Pop
- 5/100
- Length
- 3:24
- Released
- 2014
- Album
- Armada Collected: Markus Schulz
- Genre
- Trance
- Loudness
- -8.2 dB
- ISRC
- NLF711404157
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Erase Youoriginal8A · 128
- Erase You - Nifra Remixremix9B · 130
- Erase You - Omair Mirza Remixremix9B · 128
- Erase You - Wellenrausch's Dark Matteoriginal8A · 128
- Erase You - Wellenrausch's Foxholeoriginal11A · 128
Against the original (8A at 128 BPM), this version holds the same tempo in the same key.
Erase You - Wellenrausch's Dark Matter Remix runs 128 BPM in A minor (8A), a peak-time tempo trance record. Tonally it lands dark and driving. It is vocal-led. A 2014 production that still circulates in sets. Darker than 81% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Erase You - Wellenrausch's Dark Matter Remix in?
Erase You - Wellenrausch's Dark Matter Remix by Markus Schulz is in A minor, or 8A on the Camelot wheel.
What BPM is Erase You - Wellenrausch's Dark Matter Remix?
Erase You - Wellenrausch's Dark Matter Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Erase You - Wellenrausch's Dark Matter Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Erase You - Wellenrausch's Dark Matter Remix good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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