Watch The World
- BPM
- 128
- Open Key
- 9d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 7:37
- Released
- 2017
- Genre
- Trance
- Loudness
- -6.0 dB
- ISRC
- NLE711700285
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo trance cut, Watch The World sits in A♭ major (4B) at 128 BPM. It reads as dark and driving. A 2017 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Watch The World in?
Watch The World by Markus Schulz is in A♭ major, or 4B on the Camelot wheel.
What BPM is Watch The World?
Watch The World runs at 128 BPM, a peak-time tempo track.
What mixes well with Watch The World?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Watch The World good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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