Dreams Come True - DRYM Remix
30s preview
- BPM
- 128
- Open Key
- 4d
- Energy
- 85/100
- Pop
- 17/100
- Length
- 3:12
- Released
- 2015
- Album
- Dreams Come True
- Genre
- Progressive Trance
- Loudness
- -5.9 dB
- Dynamics
- 11.7 dB
- ISRC
- NLF711500890
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dreams Come True - DRYM Remixremix11B · 128
- Dreams Come True - Original Mixoriginal11B · 127
- Dreams Come True - Radio Editversion12A · 127
Against the original (11B at 127 BPM), this version runs 1 BPM faster in the same key.
At 128 BPM in A major (11B), Dreams Come True - DRYM Remix is a peak-time tempo progressive trance production. It reads as dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More treble-tilted than 96% of Ruben de Ronde's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 92% of Ruben de Ronde's catalogue
- Groove:
- less groove-driven than 83% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Dreams Come True - DRYM Remix in?
Dreams Come True - DRYM Remix by Ruben de Ronde is in A major, or 11B on the Camelot wheel.
What BPM is Dreams Come True - DRYM Remix?
Dreams Come True - DRYM Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Dreams Come True - DRYM Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Dreams Come True - DRYM Remix good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Ruben de Ronde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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