One Thousand Suns - Edit
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 85/100
- Pop
- 6/100
- Length
- 2:54
- Released
- 2023
- Album
- One Thousand Suns (Edit)
- Genre
- Trance
- Loudness
- -9.1 dB
- Dynamics
- 14.3 dB
- ISRC
- NLF712307277
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- One Thousand Suns - Soundprank Vocal Editversion10B · 128
- One Thousand Suns - Original Vocal Editversion10B · 128
- One Thousand Suns - Soundprank Vocal Mixoriginal10B · 128
- One Thousand Sunsoriginal10B · 128
- One Thousand Suns - Danny Howard Vocal Editversion10B · 128
- One Thousand Suns - Danny Howard Vocal Mixoriginal10B · 128
Against the original (10B at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in D major (10B), One Thousand Suns - Edit is a peak-time tempo trance production. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 79% of Ferry Corsten's catalogue.
- Low end:
- more treble-tilted than 79% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is One Thousand Suns - Edit in?
One Thousand Suns - Edit by Ferry Corsten is in D major, or 10B on the Camelot wheel.
What BPM is One Thousand Suns - Edit?
One Thousand Suns - Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with One Thousand Suns - Edit?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is One Thousand Suns - Edit good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
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How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.