Eternity - Riley & Durrant Radio Edit
- Key
- 8A · A minor
- BPM
- 127
- Open Key
- 1m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:29
- Released
- 2012
- Album
- Eternity (feat. Adam Young) [The Remixes]
- Genre
- Trance
- Loudness
- -5.1 dB
- ISRC
- DEQ691200135
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eternityoriginal8B · 128
- Eternity - Paul van Dyk & Alex M.O.R.P.H. Club Mixversion8B · 132
- Eternity - Qulinez Remixremix8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity - Johan Malmgren Instrumentaloriginal7A · 132
Against the original (8B at 128 BPM), this version runs 1 BPM slower and moves the key from 8B to 8A.
At 127 BPM in A minor (8A), Eternity - Riley & Durrant Radio Edit is a peak-time tempo trance production. It is vocal-led. A 2012 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue.
- Tempo:
- slower than 95% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Eternity - Riley & Durrant Radio Edit in?
Eternity - Riley & Durrant Radio Edit by Paul van Dyk is in A minor, or 8A on the Camelot wheel.
What BPM is Eternity - Riley & Durrant Radio Edit?
Eternity - Riley & Durrant Radio Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with Eternity - Riley & Durrant Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Eternity - Riley & Durrant Radio Edit good for peak time?
With energy 94 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 127 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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