Pooperling - Edit
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 8/100
- Length
- 3:30
- Released
- 2019
- Album
- Gatekeeper EP
- Genre
- Trance
- Label
- Anjunabeats
- Loudness
- -8.0 dB
- Dynamics
- 11.7 dB
- ISRC
- GBEWA1903413
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pooperlingoriginal10A · 127
Against the original (10A at 127 BPM), this version holds the same tempo in the same key.
A peak-time tempo trance cut, Pooperling - Edit sits in B minor (10A) at 127 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 98% of Spencer Brown's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 88% of Spencer Brown's catalogue
- Low end:
- more treble-tilted than 82% of Spencer Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Pooperling - Edit in?
Pooperling - Edit by Spencer Brown is in B minor, or 10A on the Camelot wheel.
What BPM is Pooperling - Edit?
Pooperling - Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with Pooperling - Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Pooperling - Edit good for peak time?
With energy 97 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More trance
More from Spencer Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
