Be Somewhere Else
- BPM
- 130
- Open Key
- 4d
- Energy
- 21/100
- Pop
- 3/100
- Length
- 4:15
- Released
- 2007
- Genre
- Progressive House
- Loudness
- -11.6 dB
- ISRC
- GBHFW0700936
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Be Somewhere Else is a peak-time tempo progressive house track in A major (11B) at 130 BPM. The feel is brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Calmer than 99% of Eelke Kleijn's catalogue.
- Groove:
- groovier than 99% of Eelke Kleijn's catalogue
- Tempo:
- faster than 90% of Eelke Kleijn's catalogue
- Brightness:
- darker than 88% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Be Somewhere Else in?
Be Somewhere Else by Eelke Kleijn is in A major, or 11B on the Camelot wheel.
What BPM is Be Somewhere Else?
Be Somewhere Else runs at 130 BPM, a peak-time tempo track.
What mixes well with Be Somewhere Else?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Be Somewhere Else good for peak time?
With energy 21 out of 100 at 130 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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