Am Anfang War Der Technoclub - Biografie - 184. Kapitel
- BPM
- 125
- Open Key
- 3m
- Energy
- 30/100
- Pop
- 0/100
- Length
- 2:02
- Released
- 2019
- Album
- Am Anfang war der TechnoClub - Biografie
- Genre
- Trance
- Loudness
- -18.4 dB
- ISRC
- DEA311907683
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Am Anfang War Der Technoclub - Biografie - 10. Kapiteloriginal10A · 85
- Am Anfang War Der Technoclub - Biografie - 100. Kapiteloriginal10A · 113
- Am Anfang War Der Technoclub - Biografie - 101. Kapiteloriginal10A · 112
- Am Anfang War Der Technoclub - Biografie - 102. Kapiteloriginal1B · 85
- Am Anfang War Der Technoclub - Biografie - 103. Kapiteloriginal2B · 81
- Am Anfang War Der Technoclub - Biografie - 104. Kapiteloriginal3A · 61
At 125 BPM in B minor (10A), Am Anfang War Der Technoclub - Biografie - 184. Kapitel is a club-tempo trance production. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. More underground than 99% of Talla 2XLC's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- brighter than 88% of Talla 2XLC's catalogue
- Groove:
- groovier than 85% of Talla 2XLC's catalogue
- Tempo:
- slower than 80% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Am Anfang War Der Technoclub - Biografie - 184. Kapitel in?
Am Anfang War Der Technoclub - Biografie - 184. Kapitel by Talla 2XLC is in B minor, or 10A on the Camelot wheel.
What BPM is Am Anfang War Der Technoclub - Biografie - 184. Kapitel?
Am Anfang War Der Technoclub - Biografie - 184. Kapitel runs at 125 BPM, a club-tempo track.
What mixes well with Am Anfang War Der Technoclub - Biografie - 184. Kapitel?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Am Anfang War Der Technoclub - Biografie - 184. Kapitel good for peak time?
With energy 30 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More trance
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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