Trip (original mix)
30s preview
- Key
- 9A · E minor
- BPM
- 124
- Open Key
- 2m
- Energy
- 42/100
- Pop
- 18/100
- Length
- 7:21
- Released
- 2016
- Genre
- Techno
- Loudness
- -9.9 dB
- Dynamics
- 10.1 dB
- ISRC
- GBKQU1689902
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trip - Cari Lekebusch Remixremix9A · 127
- Trip - TWR72 Remixremix2A · 129
A club-tempo techno cut, Trip (original mix) sits in E minor (9A) at 124 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Slower than 93% of Charlotte de Witte's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 92% of Charlotte de Witte's catalogue
- Low end:
- more bass-heavy than 86% of Charlotte de Witte's catalogue
- Brightness:
- brighter than 81% of Charlotte de Witte's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Trip (original mix) in?
Trip (original mix) by Charlotte de Witte is in E minor, or 9A on the Camelot wheel.
What BPM is Trip (original mix)?
Trip (original mix) runs at 124 BPM, a club-tempo track.
What mixes well with Trip (original mix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Trip (original mix) good for peak time?
With energy 42 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 124 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Charlotte de Witte
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
