Sound & Silence - Extended Mix
- BPM
- 172
- Half-time
- 86
- Open Key
- 4m
- Energy
- 95/100
- Pop
- 5/100
- Length
- 5:43
- Released
- 2022
- Album
- Sound & Silence
- Genre
- Downtempo
- Loudness
- -5.7 dB
- ISRC
- CA6D22200344
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sound & Silenceoriginal1A · 172
Against the original (1A at 172 BPM), this version holds the same tempo and moves the key from 1A to 11A.
At 172 BPM in F♯ minor (11A), Sound & Silence - Extended Mix is a downtempo production. Tonally it lands dark and driving. The groove is loose and less beat-driven. It is vocal-led. Faster than 96% of PROFF's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 92% of PROFF's catalogue
- Energy:
- hotter than 89% of PROFF's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sound & Silence - Extended Mix in?
Sound & Silence - Extended Mix by PROFF is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Sound & Silence - Extended Mix?
Sound & Silence - Extended Mix runs at 172 BPM.
What mixes well with Sound & Silence - Extended Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Sound & Silence - Extended Mix good for peak time?
With energy 95 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 172 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More downtempo
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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