Seven Days to Live
30s preview
- Key
- 8B · C major
- BPM
- 87
- Double-time
- 174
- Open Key
- 1d
- Energy
- 72/100
- Pop
- 1/100
- Length
- 5:00
- Released
- 2015
- Album
- Are We There Yet? (Deluxe)
- Genre
- Drum N Bass
- Loudness
- -4.1 dB
- Dynamics
- 13.3 dB
- ISRC
- GBCJY1500260
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Seven Days to Live - Dubwise Mixversion8B · 86
- Seven Days to Live - Frederic Robinson Remixremix7B · 86
A downtempo drum n bass cut, Seven Days to Live sits in C major (8B) at 87 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. Slower than 90% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- brighter than 81% of London Elektricity's catalogue
- Energy:
- calmer than 76% of London Elektricity's catalogue
- Groove:
- groovier than 76% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Seven Days to Live in?
Seven Days to Live by London Elektricity is in C major, or 8B on the Camelot wheel.
What BPM is Seven Days to Live?
Seven Days to Live runs at 87 BPM, a downtempo track.
What mixes well with Seven Days to Live?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Seven Days to Live good for peak time?
With energy 72 out of 100 at 87 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 87 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 82-92 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 87 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 87 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.