All Day
- BPM
- 174
- Half-time
- 87
- Open Key
- 9d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 5:58
- Released
- 2011
- Album
- Reno / All Day
- Genre
- Drum N Bass
- Loudness
- -6.9 dB
- ISRC
- GB6NV1000267
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
All Day: drum n bass, A♭ major (4B), 174 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Calibre's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- groovier than 87% of Calibre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is All Day in?
All Day by Calibre is in A♭ major, or 4B on the Camelot wheel.
What BPM is All Day?
All Day runs at 174 BPM.
What mixes well with All Day?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is All Day good for peak time?
With energy 69 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 174 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Calibre
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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