Mr. White - Ruben De Ronde Remix by Marcus Schössow cover art

Mr. White - Ruben De Ronde Remix

Marcus Schössow

30s preview

Key
1B · B major
BPM
126
Open Key
6d
Energy
56/100
Pop
2/100
Length
7:31
Released
2007
Album
Mr. White
Genre
Progressive Trance
Label
Coldharbour Recordings Red
Loudness
-10.9 dB
Dynamics
14.6 dB
ISRC
NLF710701669

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1A at 124 BPM), this version runs 2 BPM faster and moves the key from 1A to 1B.

Mr. White - Ruben De Ronde Remix runs 126 BPM in B major (1B), a club-tempo progressive trance record. It reads as dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2007 production that still circulates in sets. Calmer than 92% of Marcus Schössow's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 92% of Marcus Schössow's catalogue
Reach:
better known than 76% of Marcus Schössow's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy56
Mood19Dark
Groove80
Acoustic0
Instrumental88
Live70
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Mr. White - Ruben De Ronde Remix in?

Mr. White - Ruben De Ronde Remix by Marcus Schössow is in B major, or 1B on the Camelot wheel.

What BPM is Mr. White - Ruben De Ronde Remix?

Mr. White - Ruben De Ronde Remix runs at 126 BPM, a club-tempo track.

What mixes well with Mr. White - Ruben De Ronde Remix?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Mr. White - Ruben De Ronde Remix good for peak time?

With energy 56 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More progressive trance

More from Marcus Schössow

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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