Out With The Old
30s preview
- BPM
- 126
- Open Key
- 7m
- Energy
- 58/100
- Pop
- 0/100
- Length
- 7:47
- Released
- 2012
- Genre
- Progressive House
- Loudness
- -10.0 dB
- Dynamics
- 9.9 dB
- ISRC
- US83Z2050343
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Out With The Old - Kassey Voorn's Vintage Interpretationoriginal12A · 125
- Out With The Old - Rodskeez Remixremix1A · 128
At 126 BPM in E♭ minor (2A), Out With The Old is a club-tempo progressive house production. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. More underground than 99% of Kasey Taylor's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 87% of Kasey Taylor's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Out With The Old in?
Out With The Old by Kasey Taylor is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Out With The Old?
Out With The Old runs at 126 BPM, a club-tempo track.
What mixes well with Out With The Old?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Out With The Old good for peak time?
With energy 58 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 126 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Kasey Taylor
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
