Repeat (original mix) by Charlotte de Witte cover art

Repeat (original mix)

Charlotte de Witte

30s preview

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
57/100
Pop
12/100
Length
5:33
Released
2016
Genre
Techno
Loudness
-10.7 dB
Dynamics
8.9 dB
ISRC
GBKQU1689905

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Repeat (original mix) runs 128 BPM in B♭ minor (3A), a peak-time tempo techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Groovier than 91% of Charlotte de Witte's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 83% of Charlotte de Witte's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy57
Mood8Dark
Groove80
Acoustic0
Instrumental90
Live15
Speech5
darkaggressiveinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Repeat (original mix) in?

Repeat (original mix) by Charlotte de Witte is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Repeat (original mix)?

Repeat (original mix) runs at 128 BPM, a peak-time tempo track.

What mixes well with Repeat (original mix)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Repeat (original mix) good for peak time?

With energy 57 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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