Ready - Maarten De Jong Dub Mix
- BPM
- 134
- Open Key
- 4d
- Energy
- 84/100
- Pop
- 0/100
- Length
- 7:51
- Released
- 2011
- Album
- Ready, Pt. 2
- Genre
- Trance
- Loudness
- -8.0 dB
- ISRC
- DEQ691000118
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ready - Andrew Bennett Dub Mixversion12B · 128
- Ready - Dub Mixversion11B · 138
- Ready - Sebastian Krieg & Roman F. Dub Mixversion11A · 129
- Ready - Sied van Riel Remixremix1B · 138
- Ready - Walsh & McAuley Dub Mixversion11B · 135
- Readyoriginal11B · 138
Against the original (11B at 138 BPM), this version runs 4 BPM slower in the same key.
Ready - Maarten De Jong Dub Mix: peak-time tempo trance, A major (11B), 134 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Giuseppe Ottaviani's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 98% of Giuseppe Ottaviani's catalogue
- Energy:
- calmer than 75% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ready - Maarten De Jong Dub Mix in?
Ready - Maarten De Jong Dub Mix by Giuseppe Ottaviani is in A major, or 11B on the Camelot wheel.
What BPM is Ready - Maarten De Jong Dub Mix?
Ready - Maarten De Jong Dub Mix runs at 134 BPM, a peak-time tempo track.
What mixes well with Ready - Maarten De Jong Dub Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Ready - Maarten De Jong Dub Mix good for peak time?
With energy 84 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 134 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
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Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.