Underwater World - John O’Callaghan Remix
30s preview
- Key
- 8B · C major
- BPM
- 134
- Open Key
- 1d
- Energy
- 88/100
- Pop
- 0/100
- Length
- 7:47
- Released
- 2019
- Album
- Underwater World (John O’Callaghan Remix)
- Genre
- Trance
- Loudness
- -9.3 dB
- Dynamics
- 17.1 dB
- ISRC
- NLD681901276
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Underwater World - John O’Callaghan Remix: peak-time tempo trance, C major (8B), 134 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of John O'Callaghan's catalogue.
- Tempo:
- slower than 86% of John O'Callaghan's catalogue
- Brightness:
- brighter than 82% of John O'Callaghan's catalogue
- Energy:
- calmer than 81% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Underwater World - John O’Callaghan Remix in?
Underwater World - John O’Callaghan Remix by John O'Callaghan is in C major, or 8B on the Camelot wheel.
What BPM is Underwater World - John O’Callaghan Remix?
Underwater World - John O’Callaghan Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Underwater World - John O’Callaghan Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Underwater World - John O’Callaghan Remix good for peak time?
With energy 88 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Go On Air [Mix Cut] - Original Mix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
How to mix it
In 8B at 134 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Beautiful Things [Mix Cut] - Markus Schulz Shadows Of Coldharbour Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
![Thing Called Love [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More trance
More from John O'Callaghan
Full profile
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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