Before It's Over - Giuseppe Ottaviani Retouch
30s preview
- Key
- 8A · A minor
- BPM
- 134
- Open Key
- 1m
- Energy
- 88/100
- Pop
- 34/100
- Length
- 3:15
- Released
- 2024
- Album
- Before It's Over (Giuseppe Ottaviani Retouch)
- Genre
- Trance
- Loudness
- -6.4 dB
- Dynamics
- 8.8 dB
- ISRC
- NLQ8D2400920
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Before It's Over - Giuseppe Ottaviani Retouch: peak-time tempo trance, A minor (8A), 134 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 95% of Giuseppe Ottaviani's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Before It's Over - Giuseppe Ottaviani Retouch in?
Before It's Over - Giuseppe Ottaviani Retouch by Giuseppe Ottaviani is in A minor, or 8A on the Camelot wheel.
What BPM is Before It's Over - Giuseppe Ottaviani Retouch?
Before It's Over - Giuseppe Ottaviani Retouch runs at 134 BPM, a peak-time tempo track.
What mixes well with Before It's Over - Giuseppe Ottaviani Retouch?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Before It's Over - Giuseppe Ottaviani Retouch good for peak time?
With energy 88 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Beautiful Things [Mix Cut] - Markus Schulz Shadows Of Coldharbour Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
![Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994){kind=small}
How to mix it
In 8A at 134 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Go On Air [Mix Cut] - Original Mix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More trance
![Thing Called Love [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More from Giuseppe Ottaviani
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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