Perfect Day
30s preview
- BPM
- 134
- Open Key
- 5d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 7:31
- Released
- 2011
- Genre
- Progressive Trance
- Loudness
- -8.7 dB
- Dynamics
- 9.9 dB
- ISRC
- DKZVA1560805
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Perfect Day is a peak-time tempo progressive trance track in E major (12B) at 134 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Liquid Soul's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 95% of Liquid Soul's catalogue
- Brightness:
- brighter than 85% of Liquid Soul's catalogue
- Tempo:
- slower than 82% of Liquid Soul's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Perfect Day in?
Perfect Day by Liquid Soul is in E major, or 12B on the Camelot wheel.
What BPM is Perfect Day?
Perfect Day runs at 134 BPM, a peak-time tempo track.
What mixes well with Perfect Day?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Perfect Day good for peak time?
With energy 87 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 134 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Beautiful Things [Mix Cut] - Markus Schulz Shadows Of Coldharbour Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
![Go On Air [Mix Cut] - Original Mix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More progressive trance
![Thing Called Love [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More from Liquid Soul
Full profile
![Crazy People [Mix Cut] (Captain Hook remix) by Liquid Soul cover art](https://i.scdn.co/image/ab67616d00001e023e1cfb7b0ebe818f56afcf7d){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.