![Crazy People [Mix Cut] (Captain Hook remix) by Liquid Soul cover art](https://i.scdn.co/image/ab67616d00001e023e1cfb7b0ebe818f56afcf7d)
Crazy People [Mix Cut] (Captain Hook remix)
30s preview
- BPM
- 137
- Open Key
- 9d
- Energy
- 94/100
- Pop
- 30/100
- Length
- 3:30
- Released
- 2014
- Genre
- Progressive Trance
- Loudness
- -9.3 dB
- Dynamics
- 19.3 dB
- ISRC
- NLF711403987
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Crazy Peopleoriginal4A · 135
Against the original (4A at 135 BPM), this version runs 2 BPM faster and moves the key from 4A to 4B.
A driving up-tempo progressive trance cut, Crazy People [Mix Cut] (Captain Hook remix) sits in A♭ major (4B) at 137 BPM. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 19 dB). A 2014 production that still circulates in sets. Groovier than 99% of Liquid Soul's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 99% of Liquid Soul's catalogue
- Low end:
- more treble-tilted than 99% of Liquid Soul's catalogue
- Reach:
- better known than 93% of Liquid Soul's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Crazy People [Mix Cut] (Captain Hook remix) in?
Crazy People [Mix Cut] (Captain Hook remix) by Liquid Soul is in A♭ major, or 4B on the Camelot wheel.
What BPM is Crazy People [Mix Cut] (Captain Hook remix)?
Crazy People [Mix Cut] (Captain Hook remix) runs at 137 BPM, a driving up-tempo track.
What mixes well with Crazy People [Mix Cut] (Captain Hook remix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Crazy People [Mix Cut] (Captain Hook remix) good for peak time?
With energy 94 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![Beat as One [Richard Durand Reloaded Remix] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/65612bcfce00b2fac684.webp){kind=small}
![Beat As One [CC452] (Richard Durand Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027219d97094554beb0ad8ed9c){kind=small}
How to mix it
In 4B at 137 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More progressive trance
More from Liquid Soul
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![P.L.U.R. [Mix Cut] by Liquid Soul cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/78d97a910f298ef1081c.webp){kind=small}
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