FL390 - Mix Cut
30s preview
- BPM
- 137
- Open Key
- 8d
- Energy
- 96/100
- Pop
- 2/100
- Length
- 5:31
- Released
- 2019
- Album
- Always Alive Recordings 300
- Genre
- Trance
- Loudness
- -8.6 dB
- Dynamics
- 9.9 dB
- ISRC
- GBKQU1973826
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- FL390original3B · 138
- FL390 - Extended Mixversion3B · 138
A driving up-tempo trance cut, FL390 - Mix Cut sits in D♭ major (3B) at 137 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 81% of Daniel Kandi's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is FL390 - Mix Cut in?
FL390 - Mix Cut by Daniel Kandi is in D♭ major, or 3B on the Camelot wheel.
What BPM is FL390 - Mix Cut?
FL390 - Mix Cut runs at 137 BPM, a driving up-tempo track.
What mixes well with FL390 - Mix Cut?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is FL390 - Mix Cut good for peak time?
With energy 96 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Unfamiliar Truth (John O'Callaghan Radio Edit) [feat. Hysteria!] by John O'Callaghan cover art](https://i.scdn.co/image/ab67616d00001e02b00e3f27830d1c529bbf52e0){kind=small}
How to mix it
In 3B at 137 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
![The Falling [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
More trance
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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