Back To The Future - Daniel Kandi's Classic Radio Mix
30s preview
- BPM
- 137
- Open Key
- 8m
- Energy
- 96/100
- Pop
- 1/100
- Length
- 4:22
- Released
- 2021
- Album
- Back To The Future
- Genre
- Trance
- Loudness
- -7.0 dB
- Dynamics
- 16.5 dB
- ISRC
- GBKQU2134623
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Back To The Future - Daniel Kandi's Classic Mixoriginal2B · 137
Against the original (2B at 137 BPM), this version holds the same tempo and moves the key from 2B to 3A.
Back To The Future - Daniel Kandi's Classic Radio Mix: driving up-tempo trance, B♭ minor (3A), 137 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 88% of Daniel Kandi's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 81% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Back To The Future - Daniel Kandi's Classic Radio Mix in?
Back To The Future - Daniel Kandi's Classic Radio Mix by Daniel Kandi is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Back To The Future - Daniel Kandi's Classic Radio Mix?
Back To The Future - Daniel Kandi's Classic Radio Mix runs at 137 BPM, a driving up-tempo track.
What mixes well with Back To The Future - Daniel Kandi's Classic Radio Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Back To The Future - Daniel Kandi's Classic Radio Mix good for peak time?
With energy 96 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 137 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
![Unfamiliar Truth (John O'Callaghan Radio Edit) [feat. Hysteria!] by John O'Callaghan cover art](https://i.scdn.co/image/ab67616d00001e02b00e3f27830d1c529bbf52e0){kind=small}
More trance
![The Falling [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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